While reading up on this building, which has had a storied past, I was happy to find out that the recent restoration taken up by the Rajasthan government. Much of the damage caused by the neglect and abuse it suffered due to the bus boarding activity has been addressed. The house has been restored to the glory it enjoyed as the residence of the maharajah of Bikaner. Now, a hep cultural center, its Facebook page boasts of the high-society events.
This house, named Tera Vera, was built by an Anglo-Indian, E J Vaz in the 1940s for his daughters, Vera Vaz and Dolce Vaz. E J Vaz was a high court lawer from Bombay. His daughters were spinsters. Vera and Dolce both worked as tutors, the former taught English and the latter the piano. They lived peacefully in this house most of their lives.
Raazi harkens back to the 70s Bollywood music, heavy reliance on chorus, and anthemic sounds. A true period piece which makes it timeless. I loved Mirzya but have somehow not heard it as much as I would have imagined(except Teen Gawah and Aaave re hichki), it is quite specific to the film in terms of the poetry.
Once upon a time in Jaisalmer, the walls of Salam Singh’s Haveli trembled with occurrences of cruelty. Women feared event its shadow, and the curse it could bring upon them. A few miles away in the Thar Desert, Kuldhara village has similar stories of a curse, and remains an abandoned place. Legend says that it remains deserted to this day because of the misdeeds of diwan Salam Singh.